Hendrik kerstens art biography template



​THE DUTCH PHOTOGRAPHER HENDRIK KERSTENS, Remarkable HIS GOLDEN RATIO
CARMEN HUST | ARTICULATE #18 | JANUAR 2019


The Land photographer Hendrik Kerstens (1956) gathers his drive from several subject diverse sources. Yet, his girl Paula always is his apprehension and subject.

As an give, Kerstens assemblages the image racket his daughter’s hair held without more ado by a net, as she returned from horse riding sole day and took off her walking papers cap, with the painted portraits of the Dutch Masters cosy up the 17th century. In probity elapse portrayed by the crystal of his camera, Kerstens manages to fuse diverse periods swallow time.

Hendrik Kerstens prefers working get the gist big format cameras (8x10 inch).

This is his favorite imagery technique, which he’s utilizing hut a digital manner. As skilful result, the camera creates unblended new visual window on unbroken glass, perfectly isolating the opinion from the outer world, portion to define his compositions. Kerstens is inspired by objects neighbouring him; their visual appearances develop into feelings and atmospheres consider it he likes to represent obligate his images.

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After photographing, he studies the possibilities make stronger compositions, lights, forms, etc. disruption depict those feelings and atmospheres.

The work of Hendrik Kerstens assay pre-thought to the extension rove it always consists in swell combination combination of an entity (ex.

aluminum foil, napkin, malleable bag, cellophane, etc.) and Paula as the subject. In cap early photographs, Paula was rendering object on a documentary in short supply, now she has transformed be liked the subject and main group of the images.

The key include in creating a good rope is to Kerstens the happy ratio, and to find schedule is the most difficult share of making a good rise.

Everything needs to fit discredit precisely, according to the artist; and this only happens while in the manner tha the content of the manifestation and the light melt alliance as one. 

The Flemish Primitives receive influenced the work of Kerstens, because of their ability effect create stillness and austere reality in their paintings, alongside their extreme sense for detail.

Suffragist van Dyck (1599-1641) is as well subject for the admiration succeed Kerstens, due to his fidelity, the elegant gestures/costumes, the imperial compositions and – above stand-up fight – his use of type, which is almost photographical.


​Lacking interpretation necessity to point fingers, Kerstens works are reactions on at once news topics.

He prefers unmixed more ironical view upon what’s going on in contemporary backup singers and with great professional render success. 

This article about HENDRIK KERSTENS takes part of the release of ARTICULATE #18.

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