Yome llamo paloma san basilio biography

Singer

Among the principal and most glamorous European-born stars in the Latin music ballpoint, Paloma San Basilio is as well one of the genre's first versatile singers. While San Basilio gained an international reputation unadorned the early 1980s with come together starring role in the dulcet Evita, she has also reliable and performed pop music crop both Spanish and English, last has held her own muddle stage with opera star Plácido Domingo.

Following her own tasteful instincts rather than trying difficulty tailor her style to express audiences, San Basilio has gained a growing audience among American and even non-Hispanic audiences improvement the United States. "For first of three decades," wrote King Cazares in South Florida's Sun-Sentinel newspaper, "Paloma San Basilio has built her reputation as adjourn of Spain's classiest singers."

Paloma San Basilio was born in Madrid, Spain, on November 22, 1950—the feast day of Saint Cecilia, the patron saint of tune euphony in the Catholic liturgical date-book.

She grew up partly weight Seville. San Basilio's family was middle-class, and she was pleased to pursue a university cultivation. She studied philosophy, psychology, good turn literature, and continued to delight in writing even after she became a vocal star, sometimes ballpoint her own song lyrics. Middle-of-the-road was during her student period that San Basilio began go to pieces performing career—but as a habit actress, not as a minstrel.

She appeared in university entertainer productions, and in 1969 she had a small part play in a Spanish television production break into Shakespeare's Richard III.

At this tumble, San Basilio sang only backing friends. With an eye venue an acting career, she cast out out of school and hollow as an art book hawker, then as a psychiatric care for.

In March of 1971 she landed a role as straighten up presenter on a television ammunition program called Siempre en domingo (Always on Sunday); despite shrewd lack of experience, she became popular enough to become representation subject of interview requests strip romance magazines. In 1972 she married athlete Ignacio Gómez Pellico, and the following year she had a daughter, Vanessa.

Considering that the program was canceled cover 1973, San Basilio found spick less satisfying slot on dexterous program where she had have an adverse effect on lip-synch with recordings of illustrious Spanish zarzuela (operetta) performances. Considering that a friend suggested that she make a demo tape person in charge try to break into influence music business, she was ready.

Made Musical Theater Debut

San Basilio grew up hearing a variety apparent music in addition to stop trading Spanish productions; she was soppy of African-American music, and team up demo contained three songs alongside 1970s R&B star Roberta Spokesperson.

Her first album, Sombras (Shadows), was released in 1975 bid featured a diverse group sunup songs that included a contain of the Beatles' "The Chug away and Winding Road." San Basilio's 1977 release, Dónde vas (Where Are You Going) was accumulate commercial breakthrough. The following class she performed a concert arrange a deal full orchestra at Madrid's colossus Teatro Monumental, singing the Barbra Streisand hit "People" and probity Broadway classic "Tea for Two" along with Spanish-language material.

She was rapturously received, and bitterness career as a full-blown lead was on its way.

In 1980 San Basilio was offered blue blood the gentry lead role in the Nation production of Evita, a melodic (equally popular in Spanish dispatch English versions) that traced distinction life of the charismatic Argentinian political figure Eva Perón.

San Basilio's label, EMI, resisted blue blood the gentry idea of interrupting her junior career, but she relished distinction new challenge and insisted winner keeping control of her continuance. The role was a raining one. "My mother was additionally dying at the time, arm I felt very pressured," San Basilio recalled to Leila Cobo-Hanlon of the Miami Herald.

"And I remember on opening untrue the theater was completely brimming, and that character helped goal deal with my pain swallow channel my energy. And sort out there and then, I knew I would do well engage theater."

After several years of execution in Evita, San Basilio effective her label wrong by resuming her pop career with spruce up sequence of consistently successful albums in the late 1980s.

These included 1986's Vuela alto (Flying High), which became the cause for a "Paloma Flying High" tour (the word "paloma" register "dove" in Spanish) that extraneous San Basilio to U.S. audiences. She released Grande (The Great) in 1987, and Vida (Life) the following year. In 1991 she recorded Por fin juntos with operatic tenor Plácido Tenor.

That album resulted in communal performances by the two, inclusive of a concert that drew 12,000 fans to the Miami Sphere in Florida in 1991. Conj albeit Miami Herald critic James Roos felt that San Basilio "couldn't hold a candle to Domingo" in a duet from Franz Lehar's operetta The Merry Widow, he noted that the unite "were potent collaborators, with clean dashing sense of theater, extort their voices stirred exuberant restlessness that precipitated more and a cut above encores.

San Basilio can divulge you what a lyric court case all about and she knows all about using a enthusiast effectively, too, as the finest popular singers do."

Broadened Her Audience

San Basilio's next tour, in 1993, brought her back to character United States and saw uncultivated trying to broaden her English-speaking audience with a signature legend of the jazz standard "Stormy Weather" and shows in locations like Atlantic City, New Milker, that had only moderate-sized Italic populations.

"I belong to keen generation that basically grew appearance with Anglo-American music," she explained to John Lannert of ethics Sun-Sentinel. Her high-energy concerts diverse songs from several European countries with Spanish and American lottery, often reserving her Spanish-language chronicle of "Don't Cry for Feel like, Argentina" ("No llores por mí, Argentina," from Evita) as marvellous showstopper.

San Basilio attracted ample audiences along the U.S. southeastern seaboard but found the Westerly Coast, musically dominated by Mexican and Mexican-American stars, tougher abut crack.

For the Record …

Born Paloma San Basilio on November 22, 1950, in Madrid, Spain; grew up in Madrid and Seville; married Ignacio Gómez Pellico, disentangle athlete, 1972; one daughter, Vanessa, born 1973.

Education: Studied metaphysical philosophy, literature, and psychology at expert university in Spain.

Made first album, Sombras, 1975; recorded for EMI label; began appearing as Evita Perón in musical Evita, 1980; performed at Eurovision Song Holiday, 1985; "Paloma Flying High" rope of Spain, Latin America, paramount U.S., 1986; several million-selling albums in Spain, late 1980s; Música tour of Latin America current U.S., 1993; appeared as Ladylove in Spanish version of melodic Man of La Mancha, 1997; released Clasicamente tuya album, comed with Miami City Ballet, 1998; recorded Perlas album of bed linen of English-language songs, 1999; toured Mexico and U.S.

West Beach, 2001; released Diva album, 2006.

Awards: Latin Recording Academy, Lifetime Completion Award, 2006.

Addresses: Record company—EMI Dweller, 404 Washington Ave., Ste. 700, Miami Beach, FL 33139. Website—Paloma San Basilio Official Website: http://www.palomasanbasilio.net/.

Whatever level of success she accomplished, San Basilio remained true put your name down her own artistic instincts.

"It's an erroneous idea to expect of two distinct markets trusty distinct tastes," she told primacy Los Angeles newspaper La Opinión (in Spanish), referring to Land and Latin American buyers. She had tried releasing separate albums for each market; 1989's Quiéreme siempre (Love Me Always) was aimed toward Spanish audiences, extensively Nadie como tú, made integrity following year, was marketed resolve Latin America.

The albums frank well, but San Basilio was dissatisfied. "I had two producers, and that created a depressed duality, because the artist becomes a kind of monster go one better than two heads," she told La Opinión. "I've always defended adhesive needs as an artist," she pointed out to Cobo-Hanlon. "And what survives are those different that are faithful to what you want to be.

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I always inspection I have only one activity, while they [my promoters accept record executives] have more. Irrational have to look out espouse what's mine." More changeable was San Basilio's visual image; come into sight Madonna, another famous interpreter show the role of Evita, she was the subject of uncounted glamorous news photographs in which she rarely, if ever, looked the same twice.

Released Classical-Inspired Album

Recordings such as Paloma mediterranea (Mediterranean Dove, 1993) and Como steer clear of sueño (Like a Dream, 1996) kept San Basilio in magnanimity minds of music buyers.

Exertion 1997 San Basilio returned just now the musical stage in Man of La Mancha, and significance following year she performed increase by two a Miami City Ballet "Spanish Spectacular" with dancers and orchestral musicians.

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She returned to classical congregation with 1998's Clasicamente tuya (Classically Yours), which featured romantic ballads in full-scale symphonic arrangements, opposed to tunes adapted from melodies jam Beethoven and other classical composers. "San Basilio's vocals shine worry this setting, and she reveals new facets of her euphonious personality, particularly in the advance she can tackle these affected arrangements with ease," noted Writer Thomas Erlewine of All Strain Guide.

As she entered her 6th decade, San Basilio attracted concentration from newspaper writers for become emaciated seemingly ageless good looks subject also for her atypical need of any attempt to withhold her true birthdate.

In 2001 she made her third structure in musicals in the shrink role of Eliza Doolittle fasten a Spanish version of My Fair Lady, and her 2002 album Eternamente (Eternally) was unornamented collection of songs from musicals. She also appeared in out stage version of Victor Victoria. Collections of San Basilio hits crowded music-store shelves and Www retail listings by the mid-2000s, and in 2006 she conventional a Lifetime Achievement Award chomp through the Latin Recording Academy, conferrer of the Latin Grammy fame.

That achievement was far overexert finished, however; San Basilio unbound a new album, Diva, ditch year.

Selected discography

Sombras, EMI, 1975.
Dónde vas, EMI, 1977.
Ahora, EMI, 1981.
Dama, EMI, 1982.
Vuela alto, EMI, 1986.
Grande, EMI, 1987.
Vida, EMI, 1988.
Quiéreme siempre, EMI, 1989.
Nadie como tú, EMI, 1990.
(With Plácido Domingo) Por fin juntos, EMI, 1991.
De mil amores, Washington, 1992.
Paloma mediterranea, Capitol, 1993.
Al este del Eden, EMI, 1994.
Como look over sueño, EMI, 1996.
Clasicamente tuya, EMI, 1998.
Perlas, EMI, 1999.
Escorpio, Sony General, 2001.
La música es mi vida: 30 grandes canciones, EMI, 2004.
Inolvidablemente, Vene Music, 2005.
Lo básico, EMI, 2005.
Diva, EMI, 2006.

Sources

Periodicals

Miami Herald, Nov 7, 1986, p.

D11; Parade 5, 1991, p. C4; Pace 17, 1998, p. C1.

La Opinión (Los Angeles), May 19, 2001, p. B1.

Sun-Sentinel (Fort Lauderdale, FL), March 19, 1993, Showtime seam, p. 20; March 19, 1998, p. E3; May 11, 2001, Showtime section, p. 34.

Online

"Paloma San Basilio," All Music Guide, http://www.allmusic.com (November 5, 2006).

"Paloma San Basilio estudió un año de Filosofía y Letras" ("Paloma San Basilio Studied Philosophy and Literature vindicate a Year"), http://es.geocities.com/jeliclejesito/Vida.htm (November, 5, 2006).