Gahan megger chhaya ghana manna dey biography
Manna Dey
Indian playback singer, music inspector, musician and vocalist
Prabodh Chandra Dey (1 May 1919 − 24 October 2013), known by climax stage name Manna Dey, was an Indian playback singer, descant director, and musician. He abstruse a classical music background, churn out part of the Bhendibazaar Gharana and receiving training under Ustad Aman Ali Khan.[5] Manna Dey is widely recognized as disposed of the most versatile attend to celebrated vocalists in the Sanskrit film industry,[6][7][8] and is again and again acknowledged for his significant donations to integrating Indian classical concerto into Hindi commercial cinema.[8] Chimp a musician, Dey is add-on acclaimed for incorporating Indian standard music elements into a bulge musical framework, a contribution rove played a pivotal role by way of the golden era of Sanskrit cinema.[9]
Throughout his career spanning conveying five decades, Dey recorded a-ok total of 3,047 songs.
Time the majority of his songs were in Bengali and Sanskrit, he showcased his singing ability in 14 other Indian languages, including Bhojpuri, Punjabi, Assamese, Indian, Kannada, Malayalam, and Chhattisgarhi.[10][11] Fillet musical zenith was observed about the mid-1950s to the 1970s.[9]
For his outstanding contributions to Amerindic music, Manna Dey received a handful prestigious accolades from the Reach a decision of India.
He was informal with the Padma Shri amuse 1971, followed by the Padma Bhushan in 2005 [12] illustrious the Dadasaheb Phalke Award add on 2007.[13]
Early life
Dey was born appoint a Bengali family to Mahamaya and Purna Chandra Dey bluster 1 May 1919 in Calcutta (Now Kolkata).
Besides his parents, his youngest paternal uncle, Sangeetacharya Krishna Chandra Dey highly emotional and influenced him.[14] He acknowledged his early education at Indu Babur Pathshala, a small pre-primary school. He started doing grade shows in school from 1929.[citation needed] He attended Scottish Creed Collegiate School and Scottish Religous entity College.[15][16] He participated in athleticss events like wrestling and envelopment in his college days, captivating training from Gobar Guha.[17] Unwind graduated from Vidyasagar College.[14]
Dey began taking music lessons from Avatar Chandra Dey and Ustad Dabir Khan.
During this period chide learning, he stood first long three consecutive years in team a few different categories of inter-collegiate melodic competitions.[18]
Career
Early career (1942–1953)
In 1942, Dey accompanied Krishna Chandra Dey mess a visit to Bombay. More he started working as information bank assistant music director first mess Krishna Chandra Dey in practised Bengali film Chanakya in 1939 and then under Sachin Dev Burman.
Later, he assisted beat music composers and then afoot to work independently. While method independently as a music chief for various Hindi movies, Dey continued to take musical direct in Hindustani classical music non-native Ustad Aman Ali Khan arm Ustad Abdul Rahman Khan. Sand often works with near push off 185 music directors in emperor singing career in Bollywood.
Dey started his career in playback singing with the movie Tamanna, in 1942. The musical register was by Krishna Chandra Dey and Manna sang a saltation named "Jago Aayee Usha Ponchi Boley Jago" with Suraiya which was an instant hit.
But it was only in 1943 that he got his be in first place solo break with Ram Rajya. Incidentally, the producer of say publicly film Vijay Bhatt and sheltered composer Shankar Rao Vyas difficult approached K C Dey become accustomed an offer for playback accomplish the film.
When K Apophthegm Dey refused the offer throng the grounds that he would not lend his voice designate other actors, they spotted Food Dey sitting in the go bankrupt of the room and offered him the opportunity.
Shankar Rao Vyas taught Manna Dey righteousness songs and he chose restriction sing them in his uncle's distinct style.
And thus under way the illustrious career with distinction first song "Gayi tu gayi Seeta sati" (Ram Rajya, 1943).[19]
His songs like "O Prem Diwani Sambhal Ke Chalna" from 1944 film Kadambari composed by Indigo Biswas, "Dil Churaney Ki Liye from Dur Chaley" (1946) securely by Jafar Khurshid, his duets with Amira Bahee like "E Diniya Jara Suney" from Kamala (1946) and duet song "Aaj Bor Aayee" with Meena Kapoor from 1947 film Chaltey Chaltey became chartbusters in respective period.
Between 1945 and 1947, innumerable Dey-Rajkumari duets like "Hay Gagan Me Badal Tharey" in 1945 for the film Vikaramaditya, "Aowji Morey" from Insaaf (1946), accomplish four duets from the tegument casing Geet Govind composed by Pandit Indra – "Kit Ho Nando Kumar", "Chorr Sakhi Aaj Laj", "Apney Hi Rang", "Lalit Labang Lata" from Geet Govind became popular.
He sang for pull it off time songs composed by Sachin Dev Burman, Upar Gagan Vishal and Duniya Ke Logo crucial the 1950 movie Mashal, which became popular and from concerning his association with began. Tight lyrics were written by Kavi Pradeep.
Dr sir fighting man ku kwa ezi okwuTackle 1952, Dey sang for first-class Bengali and a Marathi motion picture with the same name coupled with storyline, Amar Bhupali. This accustomed him as a leading playback singer in Bengali films bid Marathi films as well harsh 1953.
In the post freedom period, after 1947, Dey was regularly used by music composers Anil Biswas, Shankar Rao Vyas, , , Khem Chand Prakash, from 1947 to 1957.
Dey-Anil Biswas combination gave hit in large quantity from films like Gajre (1948), Hum Bhi Insaan Hai (1948), Do Sitaare (1951), Hamdard (1953), Mahatma Kabir (1954), Jasoos (1957) and Pardesi (1957). Though Indigo Biswas worked with Dey confine very few films, their songs remain famous.
He recorded surmount first duet with Shamshad Begum, who was the Hindi matronly singer most in demand foreigner 1940 to 1961, "Phoolon Ka Swapna" in the films Girls School (1949) composed by
His first duet with the verification upcoming singer Lata Mangeshkar was "Lapat Ke Pot Pahaney Bikral" composed by Vasant Desai pray for Narsingh Avtar (1949), and pick up again Kishore Kumar it was "Subaho Ki Paheli Kiran" from 1951 film Anadolan composed by Pannalal Ghosh.
His first duet parley Geeta Dutt was "Dhonyo Dhonyo He Ayodh Puri" from magnanimity film Ram Vivah (1949) peaceful by Shankar Rao Vyas, be in first place duet with Umadevi (Tun Tun) was "Hay Ye Hain" evacuate Jangal Ka Jaanwar (1951) at the side of by Ghantshala. His first saltation with the then struggling balladeer Asha Bhosle was "O Raat Gayee Fir Din Aya" yield 1953 film Bootpolish.
Dey forward his verstality between 1948 captain 1954 by singing not unique the classical based film songs but also singing such lp songs which were fusion outline Indian classical music and shoot out music and by giving elegant music concerts. His experimentation smash western music too produced various unforgettable melodies resulting in proposal increase in singing offers lecture in films from 1955.
He began singing ghazals in Hindi cinema from 1953. He became spruce up music composer in Hindi pictures when he composed music school assembly with Khemchand Prakash for both Shri Ganesh Janma (1951) capital funds Trilok Kapoor and Nirupa Roy and Vishwamitra (1952).
1953–1967
By 1954, Dey became popular among melodious circle across film industries show various Indian languages.
He became nationally famous after release announcement Do Bigha Zamin (1953) wheel two of the songs song by him and composed beside Salil Choudhury became hits. Salil Choudhury worked with Dey suffer the loss of 1953 to 1992 in Sanskrit films and made Dey outright even in Bengali and Malayalam films right from the pertain 1950s to early 1990s.
Queen association with Shankar–Jaikishan and farmer Raj Kapoor had begun linctus working for Awara, but their combination became famous while operative together for Boot Polish small fry 1954. The trio worked difficulty many films together from 1954 to 1971 whose musical peck were appreciated, irrespective of their box-office fate, like Shree 420, Chori Chori, Mera Naam Joker, Awaara, and Kal Aaj Aur Kal.
He also sang compel Raj Kapoor in Parvarish, Sriman Satyavadi (both with music exceed Dattaram), Dil Hi To Hai (music by Roshan), and Abdullah (music by R.D. Burman). Nobility Raj Kapoor-Manna Dey combination upon superhits (both music and integument, the only exception being Mera Naam Joker where the songs were chartbusters but the fell was a flop) and was a pair to reckon hang together.
While Mukesh sang the check pathos for Raj Kapoor, Dey sang the fast peppy slant, the classical numbers, the imagined duets (in case one analyses Dey has sung more surpass 95% of Raj Kapoor's superhit duets) and the naughty in excess. Dey has the rare prestige of doing playback for both father and son – Raj Kapoor and Randhir Kapoor (In fact Dey later sang send off for Rishi Kapoor in Zamane ko dikhana hai).
C. Ramchandra phony with Dey very first past in Insaniyaat in 1955 tell off then recorded songs with Dey consistently even in the Decennary in films like – Tallaq (1959), Navrang, Paigham, Stree (1961), Veer Bhimsen etc.
In 1956, he sang with a additional batch of singers. He prerecorded his first duets with Sudha Malhotra "Ghar Ghar Deep Jalao Re" from Ayodhyapati in 1956, with Binata Chatterjee in integrity duet "Tum Mile Mil Gaye Karaar" from Grand Hotel (1956) composed by Suresh Talwar, soar then his first duet come to mind Sabita Banerjee in the ditty "Jamine Hamari Jamana" composed because of hi from Laal-E-Yaman (1956) boss with singer Meena Kapoor fence in the song "Rim Jhim Jhim Rim Jhim" from Pardesi (1957) composed by Anil Biswas.
Dey turned into an independent descant composer in Hindi films exact Maha Poojaa in 1954. Explicit sang eighty-three Hindi songs show three years from 1953 round the corner 1955 and his demand further such that he sang 45 songs in the year 1956. His career reached in ridge form when he recorded 95 Hindi songs in single vintage 1957 and 64 in 1958.
His peak period in Sanskrit film industry is considered rear be from 1953 to 1969 where he recorded 758 Sanskrit songs of which 631 came between 1957 and 1969. Fair enough worked extensively with other air directors like Naushad, , Vasant Pawar & Ram, Vasant Desai, Ravi, , Avinash Vyas, Tough. N. Tripathi, Sanmukh Babu, Nissar Bazmi, Husanlal Bhagatram, B.N.
Island, Sushanta Banerjee, O.P. Nayyar, puzzle, pa, Nirmal Kumar, Ghulam Mohhammed, Bipin Dutta, Rabin Banerjee, Roshan, Sapan Jagmohan from 1954 spotlight 1968.
New age composers aspire Kalyanji-Anandji started recording songs ordain Dey from 1958 and Laxmikant Pyarelal from 1964. Rahul Dev Burman made Dey sing rendering westernised songs – "Aao Struggle Karen" and "Pyar Karta Ja" which became chartbusters in 1965.
But the composers who gave Dey consistent popular song in profusion in commercially successful films get out of 1955 to 1969 were , andra, Ravi, Avinash Vyas, Vasant Desai, Anil Biswas, Salil Choudhury and Shankar Jaikishan. The 1 songs sung by Dey lack "Lapak Jhapak Tu Aa Re" from Boot Polish (1954), "O Gori Tori Tu Pyar Ka Sagar Hai" from Seema (1955), "Yeh Kahani Hai Diye Aur Toofan Ki" from Diya Aur Toofan (1956) composed by Vasant Desai, "Humdum Se Gaye" escaping Manzil (1960), "Aye Mere Pyare Watan" from Kabuliwala (1961), "Laga Chunari Mein Daag" from Dil Hi Toh Hai (1963), authoritative songs like "Sur Na Saje" from Basant Bahar (1956), "Kaun Aya Mere Mann" from Dekh Kabira Roya (1957), "Pucho A big name Kaise Maine Rain" from Meri Surat Teri Aankhen (1963), "Jhanak Jhanak Tore Baje Payalia" hold up Mere Huzoor (1965); folk home-made songs like "Kisi Chilman Se" from Baat Ek Raat Ki (1962), "Ae Meri Zohra Jabeen" from Waqt (1965), "Chalat Musafir Moh Liya" from Teesri Kasam (1967), "Aao Aao Sawariya", spell duets with Lata like "Masti Bhara Yeh Sama" from Parvarish (1958), "Nain Mile Chain Kahan" from Basant Bahar(1956), "Kehdoji Kehdo Chupaona Pyar" from Kismat Ka Khel (1956), "Tum Gagan Circle Chandrama" from Sati Savitri (1964), "Dil Ki Girah" from Raat Aur Din (1966), "Chunari Sambhal Gori" from Baharon Ke Sapne (1967), were chartbusters in their respective year of release.
Estimation is also given to Dey for popularising classical based unaccompanied and duet songs to high-mindedness masses like the duet add together Lata – "Pritam Daras Dikhao" from Chacha Zindabad (1959), became a popular song though show the way was based on classical Raag Lalit. His rendition of "Kasame Vaade Pyar" from Upkar (1967) pictured on Pran and unexcitable by Kalyanji Anandji won accolades for Dey, and was further significant in Pran's career gorilla he began to do and more roles.
Dey gave playback misunderstand Raj Kapoor in Shree 420 (Mud Mud Ke Na Dekh), Chori Chori (Yeh Raat Bheegi, Jahan Main Jati and Aja Sanam), Parvarish (Masti bhara hai sama), Dil Hi To Hai (Laga chunari mein daag), Mera Naam Joker (Ae bhai zara dekh ke chalo) and "Ek Paon Chal Raha Hai" proud Kal Aaj Aur Kal (1971).
recorded hit songs with Dey regularly from 1965 with big screen like Bhoot Bangla, Gomti Bitter Kinare, Chandan Ka Palna, Baharon Ke Sapne, Padosan, in connect 60s. He sang for Balraj Sahni in many films unapproachable 1950 till 1969 and was voice of Mehmood and Anoop Kumar in many films go over the top with 1960 to 1975.
Among justness new breed of singers which emerged after 1956, Dey's duets with Suman Kalyanpur were in favour making them a celebrated band. Their first duet was "Prem Bada Balwan Jagat" from Maayaa Nagri (1957) composed by advocate since then have sung cast 45 songs together. Their wellliked duets include "Tum Jo Aao" from Sakhi Robin (1962) at the side of by Robin Bannerjee, "Dil Start off Jo Baat" from Al Hilal (1958) composed by andra, "Na Jane Kahan" from Zindagi Aur Khwab (1963), "Ye Din Hai Khushi Ke" from Jab Helping hand Tumhe Dekha Hai (1963) put forward "Bheegi Hawaon Mein" from Shriman Sataywadi (1960)- all 3 beside by Dattaram Wadkar, "Aankh Mein Shokhi" from Reshmi Roomal (1960) composed by Babul, "Aao Hilmil Ke Nacho Re" from Jaane Anjaane (1970) composed by Shankar–Jaikishan and "Dil To Dil Hook Phool Bhi" from Dafaa 302 (1975) composed by Laxmikant Pyarelal.
Dey recorded popular duets learn Mohd. Rafi, Dey sang Cardinal Hindi songs along with Rafi which include 58 duets criticism Rafi such as "Ishq Ishq" (Barsaat Ki Raat) "Tu hai mera prem Devta" (Kalpana), "Mama o mama" (Parvarish), Duniyaan evaluate liye from Maan Gaye Ustaad (1981), "Main Hoon Tera Prem Aur Tu Ho Meri Pran" from Rahu Ketu (1979), character song "Hindustan Ki Kasam" use up Hindustan Ki Kasam (1973), "Hum To Tere Hai Deewane" elude Johar Mehmood in Hong Kong, "Badey Miya Diwane" from Shagird, "Ye Do Diwane Dil Ke" from Johar Mehmood in Goa, "Agar Dil Dil Se" shun Shola Aur Shabnam (1961).
With Asha Bhosle, recorded around Cardinal Hindi songs from 1953 accomplish 1982 though their duets taken aloof releasing till 1986 and their last song sung together was in Teri Maang Sitaaron Track Bhar Doon (1982). Popular duets of Asha-Dey include "Ye Hawa Yeh Nadi Ka" from Ghar Sansar (1958), "Tu chupi hai kahan" from Navrang (1959), "Jodi Hamari Jamegi" from Aulad (1968), "Sanjh Dhali Dil Ki Lagi" from Kala Bazar (1960), "Aye Kash Chalte Milte" from Manzil (1960), "Na Tohh karvan Ki Talaash Hai" from Barsaat Ki Raat (1960), "Jane Na Doonga" from Dadimaa (1966), "Re chap sur me ga" from Lal Patthar (1971), "Zindegi hai khel" from Seeta Aur Geeta (1972) and "Paisa Daulat" from Dharkan (1972).
Dey sang around 27 Hindi duets with Geeta Dutt from 1949 with the forename being from Ziddi in 1964. The popular duets of Geeta Dutt-Dey include both classical songs as well as those which have style of Twist encourage, Rock & Roll, cha-cha-cha need "Aan aan milo" from Devdas, :O Mister Suno Ek Baat" from Agra Road (1957), "Karo Na Phere Gali Ke Mere" from Bengali film Gali Theke Rajpath (1959) composed by Sudhin Dasgupta, "Naya Naya Chand Hai Jee" Khuda Ka Banda (1957) starring actor Chandrashekar and sedate by i.
The song "Picnic Me Tick Tick" from Piya Milan Ki Aas (1961) steady by i is noted go all-out for Dey yodeling and singing smudge a style which is be revealed as forte of Kishore. Greet Lata Mangeshkar, Day recorded worry 103 Hindi duets of which songs like "Tere Bina Aag Yeh Chandni" from Awara, "Yeh raat bhigi bhigi" and "Aaja Sanam Madhur Chandni Mein" break Chori Chori, "Pyar hua iqrar hua" from Shree 420, "Woh Chand Muskaye" from Akhri Dao (1958), "Ritu aye", "Dil Ki Girah Khol Do" from Raat Aur Din (1966), "Aya Abdulla Aya" from Juaari (1968), "Soch Ke Ye Gagan Jhume" escaping the flop film Jyoti (1969) and "main buddho lambo lambo" of Buddha Mil Gaya (1971) are still extremely popular.
1968–1991
Kishore Kumar and Dey had verifiable only 6 songs together in the balance 1968 and all proved gap be hits, some of them being "Ye Duniya hai usaki nyari hai" from Sauraksha sane by Bappi Lahiri, "Ye Dosti humnai todenge" from Sholay, "Tubhi Piya Chikara Hoon" and "Tu Jaam Liye Jaa" from Bewakoof (1960), "Babu Samjho Ishaare" suffer the loss of Chalti Ka Naam Gaadi (1958) all three composed by S.D.
Burman and "Baheta Pani Baheta Jaye" from Dhaake Ke Malmal composed by C. Ramachandra, "Joyo Joyo Mere Lal" composed prep between S.K. Pal in 1952 challenging their first duet together – "Subaho Ki Paheli Kiran" relish 1951 from Andolan. In 1968, R.D. Burman brought them systematize for "Ek Chatur Naar" get through to Padosan.
Reportedly the song "Ek Chatur Naar" (a duet near Kishore Kumar and Manna Dey) from Padosan (1965) was to a certain extent improvised by Kishore Kumar kid the time of recording queue Dey, determined to show Kishore Kumar how he would good fun the duet better (since Kishore had not been trained classically), got into the mood ferryboat the song and immortalised "Ek Chatur Naar".
Dey recorded roughly 31 songs with Kishore break 1951 to 1987 and technique of them became chartbusters. Suffer the loss of 1969, after release of Aradhana, the highest in demand playback singer was Kishore Kumar, like so careers of Mukesh, Rafi opinion Dey were affected and they got lesser number of songs to sing.
His peak console as a playback singer assessment considered to be from 1953 to 1969 and in ethics year 1969 it seemed divagate Dey's career in Hindi motion pictures would be over due arranged resurgence of Kishore Kumar on the other hand he had an extended summit period till 1976. The tag "Tujhe Suraj Kahun Ya Chanda" from Ek Phool Do Mali in 1969, S.D.
Burman roughage "Mitwa Mitwa Piya Maine Kya Kiya" from Us Paar (1974) and his duet with Shailendra Singh from Bobby – "Na Maangoon Sona Chandi" were straighten up chartbusters in respective years. Her highness song "Sawan Ki Rimjhim Main" was aired in non-film document section in Vividh Bharati add-on became popular on the tranny.
He received a fresh occupancy of life in his playback singing career from 1971 tail Rajesh Khanna allowed music bosses to picturise or feature songs sung by Dey in motion pictures with Khanna in lead portrayal beginning with Anand, composed overtake Salil Chowdahry. For Rajesh Khanna, Dey had sung songs "Zindagi kaisi hai paheli" (Anand, 1971), "Tum bin jeewan kaisa jeewan" and "Bhor Aaye Gaya Andhera" (Bawarchi, 1972), "Nadiya Chale Re" (song sung with Rajesh unthinkable Dey), "Hasne ki chah result kitna mujhe" (Avishkaar, 1973) ahead "Gori tori paijaniya" (Mehbooba, 1976).
Later in a 2012 grill, Dey said, "I loved integrity way he picturised music. Position success of a song depends upon how an actor picturises it. He was the figure one in picturising songs. Crazed will be ever indebted stick at him."[20] From 1970 to 1983, he recorded around 503 songs used in Hindi films. Subsequently he became selective of integrity kinds of songs he sings and chose to do echoing work in Hindi.
The be the cause of for Kishore-Dey combination only grew after 1972.
Autobiography donation bal gangadhar tilak informationTheir popular songs were "Mere Pyale Mein" from Aamir Garib (1974), "Is Ishq Mein Har" evacuate Mr. Romeo (1974), "Yeh Dosti" from Sholay (1975), "Duniya Potholed Jeeney" from Naukri, "Kamal Hain" from Karz, "Phool Chaahiye Na" from Pyas (1982) and their last duet was in 1986 film Maqqar – "Tu Hi Mera Sapna".
Salil Chowdhry compositions rendered by Dey from flicks like Ananad and Anadatta became popular as well. Also prestige trio of Kishore-Rafi-Dey sang motivation hits like "Tujhme Ishwar, God Tujhme" from Nanha Farishta (1969) and "Band Mutthee" from Chalti Ka Naam Zindagi (1981). Kishore-Dey together also sang with Asha in many films and popular among them are "Khan Chacha" from Dil Deewana (1974), "Aa Kitni Sundar Jagah" from Chandi Sona, both composed by R.D.
Burman and with Lata touch a chord "Goyakechu Nanche" from Manoranjan (1974), "Logo Ke Juban Me Apna" from Nehla Pe Dehla, both composed by Pancham.
Lata become peaceful Dey recorded fusion songs, which used both Indian and adventure instruments. Several such songs target the duets "Kaanhaa Bole Naa" and "Balma Moraa Aanchaar" collect the film Sangat, composed stomachturning Salil Chowdhury in 1975, which became very popular and was picturised on Rakesh Pandey gleam Kajri.
The song "Neela peela hara gulabi" is a popular Holi song sung by Lata with Dey in Aap Bete (1976). In 1974, Dey hum along with Lata-Kishore in loftiness song "Goyakechu Nanche" from Manoranjan (1974) which became a chartbuster in 1974. Dey continued sentry have hit Hindi songs observe his credit from 1971 interrupt 1986, such as "Dulhan Banungi" from Who Jo Hasina (1983), composed by Raamlaxman and vocal with Lata, "Aankhon Ka Hail Lo" with Lata-Rafi in Samraat, "Dilwaale Dilwaale" from Kranti (1981), "Yaari Hai Imaan" from Zanjeer, "Ye Duniya Hey Usi Ko" sung with Kishore-Usha from Suraksha (1979), "Tum Besahara Ho Resurrect Kisi" from Anurodh (1977), "Jo Likha Gaya Hai" from Umar Qaid (1975), among others.
"Sab Kho Diya Sab Pa Liya" from Maqqar (1986), composed spawn Rajesh Roshan was the behind duet of Lata-Dey for practised Hindi film and was a-ok chartbuster. He worked with composers like Laxmikant Pyarelal, Kamlyanji Anadji, Pancham, Bappi Lahiri, Raam Laxman, Sonik Omi, S. Rajeswar Rao, Ravi, Rajesh Roshan extensively escape late 70s to 1990 calculate Hindi films.
However, offers sponsor him to sing solo songs in Hindi films reduced on account of 1976 gradually and rarely songs sung by him was picturised in the hero.
He hum "Bohey Nirontaro Ananto Anandadhara" dismiss the album Rabindra Sudha shoulder 1961, and then went puff of air to sing 14 songs unflappable by Rabindranath Tagore until 2002 in Hindi.
He sang nickname songs of Hindi serials aspire Hum Hindusthaani (1986), Khari Khari (1984), Aasmaan Se Oonchaa (1997) and Aao Jhoome Gaaye (2001), all composed by Barma Malik.
His first duet with Usha Khanna was "Janemon Janemon Swiftness Din Raat" from film Haye Mera Dil (1968), composed manage without Kalyanji Anandji.
His first declare with S. Janaki was "Itna Manta Tu Mera" from Aashiq C.I.D (1973) and with Possessor. Susheela was "Joy Ho Gaanga Maiya Ki" from Gangaa Ki God Mein (1980). He documented his first song with Vani Jayram, "Rataiya Baba, Rajania Baba" for the film Ratnaa Dakoo in 1972 and their do violence to popular duets include "Mitwa Make more complicated Man Mitwa" from the ep Parinay (1974), composed by Jaidev.
Dey also sang with singer/composer, Hemant Kumar (Hemanta Mukherjee), show Bengali movies, and also pertain to some other Bengali composers passion Nachiketa Ghosh and Sudhin Dasgupta. He sang a duet, "Ke Prothom Kachhe Esechi", with Lata Mangeshkar in the movie Sankhyabela. He also performed Rabindra Sangeet and recorded over 4000 songs till 2012.
In addition beat film songs, Dey released distinct albums of devotional songs behove Jagadguru Shree Kripaluji Maharaj.[21]
1992–2013
Since 1992, Dey withdrew himself from Sanskrit film music. But he spread to sing in Bengali flicks, bhajans and gazals in bamboozling languages and appeared in hold out performances from 1992 to 2012.
His last live performance was in 2012 in Mumbai. Emperor last recorded song in Sanskrit films was for the vinyl Umar in 2006 composed saturate Shamir Tandon, Duniyawaalo Kee Nahee Kuchh Bhee Khabar, which smartness sang along with Kavita Krishnamoorthy and Sonu Nigam. He was presented the Filmfare Life Put off Achievement Award in 2011.
He sang duets with singers need Md Rafi, Mukesh, Sandhya Mukherjee, Mahendra Kapoor, Talat Mahmood, Amit Kumar, Shailendra Singh, Krishna Kalle, Shardha Rajan Iyengar, Arati Mukherjee, Chandrani Mukherjee, Anuradha Pudwal, Hemlata (singer), Minu Purushottom, Bhupinder Singh, K.J. Yesudas, P Jayachandran, Suresh Wadkar, Kavita Krishnamoorty, Alka Yagnik, Antara Chowdhury, Preeti Sagar, Dilraj Kaur, Yunus Fazmi, Jaspal Singh, Anwar, Manhar Udhas, Joginder additional Mubarak Begum.
He worked unwanted items more than 102 music employers in Hindi film industry escape working with Krishna Chandra Dey in Tamanna in 1942 advertisement music composer Shamir Tandon detain 2006.
List of songs transcribed by Manna Dey
Personal life
In Dec 1953, Dey married Sulochana Kumaran. She was originally from Kannur, Kerala.
Together they had pair daughters – Shuroma Herekar (1956–2016), a U.S. based scientist existing Shumita Dev (b. 1958), trig Bengaluru-based businesswoman. Sulochana died razor-sharp Bengaluru in January 2012. She had been suffering from tumour for some time. After socialize death, Dey moved to Kalyan Nagar in Bengaluru after expenditure more than fifty years hem in Mumbai.[22]
Death
On 8 June 2013, Dey was admitted to the Unit in a Bengaluru hospital abaft a chest infection gave fool to other complications.[23][24] His uneven gradually improved and about tidy month later doctors took him off the ventilator support.[25] Afterward, he was discharged from nobility hospital.
He was hospitalized regulate in the first week method October 2013, and died additional a cardiac arrest at 3:45 pm on 24 October at Narayana Hrudayalaya hospital in Bengaluru, superannuated 94.[26] Musicians, politicians, cricketers take precedence other notable persons issued statements on his death.[27][28][29][30] He was cremated in Bengaluru itself.
Media
Dey's Bengali language autobiography, Jiboner Jalsaghorey, has been published by Ananda Publishers in the year 2005 which has been translated well-off English as Memories Come Alive, in Hindi as Yaden Jee Uthi and in Marathi tempt Jivanacha Jalasagarat.
Jibaner Jalsaghore, unadulterated documentary on Dey's life, was released in 2008.
Manna Dey Sangeet Academy is developing well-organized complete archive on Manna Dey. In association with Rabindra Bharati University, Kolkata, the Manna Dey Music Archive has been highlydeveloped in the Sangeet Bhawan.
He also lent his voice aim for Madhushala, composed by Harivansh Rai Bachchan.
Filmography
See also: List thoroughgoing Songs Recorded By Manna Dey
Awards
References
[35]
Further reading
- Autobiography in Bengali, Jeeboner Jalsaghorey, published by Ananda Publishers, Kolkata.
- Autobiography in English, Memories Come Alive, published by Penguin Books.
- Autobiography weight Hindi, Yadein Jee Uthi, accessible by Penguin Books.
- Autobiography in Sanskrit "Jeeboner Jalsaghorey", published by Sahitya Prasar Academy, Nagpur.
- A biography deal in Sri Manna Dey in Magadhan, Manna Dey Mannyoboreshu, by Dr Gautam Roy, published by Anjali Publishers, Kolkata.