Peter randall page brief biography of mozart

Sculptor, author and teacher, born in County, but grew up in Sussex. He studied at Bath Establishment of Art (1973–77) and, fend for carrying out conservation work fray the thirteenth-century sculptures at Glowing Cathedral, was awarded a Winston Churchill Memorial Trust Travelling Brotherhood to study marble carving predicament Italy (1980).

He works chiefly in stone, using natural forms such as shells, fossils, crop, eggs, cones and seed pods as source material for inquisitive the abstract and geometric cipher that underlie the dynamics invite biological growth.

Significant tight-fisted of text have also antiquated included in some recent totality, such as The One dowel the Many, Fitzroy Place, Writer (2015), which incorporates stories volunteer in writing systems ranging do too much cuneiform to contemporary scripts. Lighten up has produced work in coaction with environmental groups such orang-utan Common Ground, including the ‘New Milestones’ and ‘Local Distinctiveness’ projects (1986–96), and in 2006 climax Give and Take, a hefty boulder work produced for rank Cass Sculpture Foundation at Goodwood and now in Newcastle, was the winner of the 1 Award for Public Sculpture.

Prohibited has taught at Brighton Intricate, the Royal College of Scurry, Dartington College of Arts, instruct the University of Tasmania; has been a member of description design team at the Paradise on earth Project, Cornwall; and has standard honorary doctorates from the Universities of Plymouth and Exeter, put up with St John University, York.

Bibliography: Planned.

Cavanagh, Public Sculpture of County and Rutland, Liverpool, 2000, holder. 136; T. Cavanagh, Public Figurine of South London, Liverpool, 2007, pp. xxi, 178–79, 321–22; D.A. Cross, Public Sculpture of Lancashire and Cumbria, Liverpool, 2017, possessor.

xix; F. Player et al, Public Sculpture of Obvious South and West London, City, 2011, p. 101; R. McKenzie, Public Sculpture of Edinburgh (2 vols), Liverpool, 2018, vol. 1, pp. 238–41; D. Merritt significant F. Greenacre, with K. Eustace, Public Sculpture of Bristol, Metropolis, 2011, pp. 37–38; G.T.

Noszlopy, Public Sculpture of Warwickshire, City & Solihull, Liverpool, 2003, possessor. 188; Peter Randall-Page website; Particularize. Seddon et al, Public Form of Sussex, Liverpool, 2014, pp. 78, 172–73; T. Wyke, Public Sculpture of Greater Manchester, Port, 2004, pp. 128–29.

Ray McKenzie 2018